I studied architecture because of the great relationship it has with space, symmetry and the idea of sublime singularity in harmony with its entire universe. Exactly the same as with a human face.

When I discovered this similarity and its magical possibilities, I decided to go to the School of Visual Arts of New York, and later to the most important faculty of painting in Mexico: the National School of San Carlos.

In which I fell in love with almost all the techniques and materials of this incomparable office.